Street art in Rome |
Street art and some of the artists who work in this style are the background/setting for my young adult dystopian novella Sprainter.
Basquiat - Untitled "Skull" 1984 |
The street is the perfect public space for MrE and his group of graffiti artists to spraint (spay paint) their art. MrE usually writes a short Bible reference, such as John 3:16, and then he adds some religious iconography to decorate the text.
Yes, graffiti is vandalism, and no, I do not endorse it. But for a fictional setting, I thought it presented a unique chance to examine the possible lifestyles of two of my favorite artists in a piece of fiction; Bansky and Jean-Michel Basquiat, to begin to pry the lid off this type of artist, and to also bring my characters' religious zeal into the public sphere of action.
Jean-Michael Basquiat |
Bansky, street art |
In Sprainter, I sought to bring this artist-revolutionary spirit to the forefront of political-religious activism and this story afforded me the opportunity to explore such extremes, including how zeal (religious or otherwise) can, if propelled by reasons other than love, can itself easily slip into oppression and persecution.
If you're interested in young adult romances, art-themed fiction, a dystopian setting, and religious inspirational fiction, then you will enjoy Sprainter, available from Smashwords and most e-tailers.
Just a note before leaving you. I wish to clarify any possible misunderstandings about Basquiat and Banksy: To the best of my knowledge, neither artist has expressed their religious views in their street art the way MrE does in Sprainter.
Jean-Michel Basquiat died of a heroin overdose at the age of 27 in 1988. Banksy is wanted by police agencies throughout the world. Although his identity has been a well-guarded secret for years, I just discovered this recent photo.
~JT~
Very interesting JT, I never really thought about street art before I read this. And I plan to read Sprainter soon as I can
ReplyDeleteI did my MA and most of a PhD studying art (Phenomenological Esthetics) and one learns some pretty interesting stuff when one enters into a dialogue with a work of art. At least, I always thought so. :-)
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